€190 – €230

Documentary storytelling: a toolbox for analyzing non-fiction narratives

Actions and Detail Panel

€190 – €230

Event Information

Share this event

Date and time

Location

Location

Online event

Refund policy

Refund policy

Contact the organizer to request a refund.

Eventbrite's fee is nonrefundable.

Event description
This workshop aims to provide participants with fundamental knowledge to understand the formal architecture of the documentary film, willing

About this event

Documentary storytelling: a toolbox for analyzing non-fiction narratives

International Workshop


organized by


GIRES-Global Institute for Research Education & Scholarship  

&

GIRES Center for Media & Film Studies 
 

Course Facilitator: Eduardo Rencurrell Díaz, Ph.D 

The Aim


This workshop aims to provide participants with fundamental knowledge to understand the formal architecture of the documentary film, willing to help them improving their professional practices. Our theoretical-practical approach will guide you through the de-construction of a documentary through various  exercises. The workshop hopes to educate scholars, especially those who work on history and more specifically on oral history – and other theoretical fields of study- so they gain the relevant knowledge that will allow them to create their own documentaries.  GIRES considers the craft of documentary film making to be of high significance for humanities: the preservation of memory, oral testimonies, culture, tradition and history have been crucial for the formation of national identities. Our participants will gain the freedom, through the knowledge of documentary making, to record their own projects and create useful archives for next generations and the historian of the future.

The Outcome


-Understand with a higher level of clarity documentary film narrative


-Analyzing the craft of making a documentary


–Gain the basic knowledge of how to create your own documentary


–Explaining fundamental issues about documentary film theory

–Analyzing documentary film by focusing in narrative elements within a documentary film structure


–Differencing the different typologies of documentary film


-Identifying or conceptualizing the thematic background of a documentary film


-Evaluating the communicative/expressive dimensions of a documentary film


–Developing a documentary film analysis based on a narrative approach

The Program



Thematic 1 (Sunday-June 6, 2021)
A NECESSARY STARTING POINT


The pertinence of documentary film analysis within the research project. The objectives of documentary film analysis. The justification of a documentary film sample. The selection of useful theoretical tools for the analysis. The creation of an observation guide. Verifying results of our personal analysis.  Duration: 3 hours  

Thematic 2 (Sunday-June 13, 2021)
INTRODUCTION TO DOCUMENTARY STORYTELLING
Defining documentary film. Debating about objectivity and subjectivity. Differences from fiction and documentary films. The issue of representing reality. Contemporary polemics about documentary film. The relevance of documentary film for social sciences and humanities researchers. Ways of using documentary film in research. What to understand by documentary storytelling? Which ways is documentary storytelling necessary for socio-cultural researchers? Descriptive approach in documentary film analysis. Advantages and disadvantages. Duration: 3 hours  

Thematic 3 (Sunday-June 20, 2021)
THE ARCHITECTURE OF DOCUMENTARY FILM
Deconstructive approach to documentary film. Possible morphologies. Narrative devices and agents. Analyzing characters, conflict and progression. Identifying structural paradigms. Rhetorical strategies. The use of tropes. The narrative thread and the argumentative lines. Relating images and sounds. The communicative and expressive dimensions of documentary film. Duration: 3 hours  

Thematic 4 (Sunday-June 27, 2021)
FORMS AND ESSENCES OF DOCUMENTARY FILMS
Debating about form and content. Bill Nichols representation modalities. The forms of documentary film: direct cinema, testimonial documentary, self-referential documentary, experimental documentary, the docudrama and the reenactment into the documentary, animation documentary. Hermeneutical approach to documentary film: theme, point of view, thesis, objectives, conceptual dimensions, epistemological authority and authorial subjective intervention.  Duration: 3 hours  

Due to the restrictions of Corona Crisis our event (for the time being) will be virtual & Live
Instruction Language: English



DEADLINE FOR REGISTRATION: May, 30 2021


ACCEPTANCE NOTIFICATION: Day of Registration


ACCREDITATION: Official Certificate Issued by GIRES 

FOR REGISTRATION (through our online application form) & FEES Please visit the workshop's webpage.

------------------------------------------------------------------------------------------------------Generating dialogue is of primary importance for our scholarly community and thus GIRES wishes to create a friendly and welcoming environment for all of our colleagues and offer all the tools to present their work in the best possible way.


----------------------------------------------------------------------------------------------------- 

Contact Info: 

GIRES-GLOBAL INSTITUTE FOR RESEARCH, EDUCATION & SCHOLARSHIP (Amsterdam, The Netherlands) www.gires.org

Contact Email: 

info@gires.org

URL: 

https://www.gires.org/activities/workshops/documentary-storytelling-a-toolbox-for-analyzing-fiction-narratives/

Share with friends

Date and time

Location

Online event

Refund policy

Contact the organizer to request a refund.

Eventbrite's fee is nonrefundable.

Save This Event

Event Saved