FEAR O' SHE - composition/improvisation/structures/intuition from Cologne
The music of FEAR O'SHE merges contemporary structures, avant-garde rhythms and forms with spontaneous gestures, intuition and initiative.
FEAR O' SHE
Jeremy Viner: reeds
Felix Hauptmann: piano
Elisabeth Coudoux: cello
Roger Kintopf: double bass
Tancrède D. Kummer: drums, composition
FEAR O’ SHE gathers a constellation of emerging and established improvisers around Tancrède's compositions and concepts.
The music merges contemporary structures, avant-garde rhythms and forms with spontaneous gestures, intuition and initiative.
We aim to take a holistic approach to music where material is brought forth as a laboratory to explore our individualities within the collective.
For us, performed music is to be projected fiercely and with unyielding commitment, hence the notion of ‘ritual’ in which FEAR O' SHE wish to throw themselves along with their audience; delving further into the devotional intensity of repetitive motions, discovering and exploring and ways of interlacing composing with improvising. Although a substantial amount of time is spent scripting scores and creating parameters of execution and interplay, the collective will always be the prism through which this artistic vision unfolds.
Here is a video of the band playing live:
The music of FEAR O'SHE merges contemporary structures, avant-garde rhythms and forms with spontaneous gestures, intuition and initiative.
FEAR O' SHE
Jeremy Viner: reeds
Felix Hauptmann: piano
Elisabeth Coudoux: cello
Roger Kintopf: double bass
Tancrède D. Kummer: drums, composition
FEAR O’ SHE gathers a constellation of emerging and established improvisers around Tancrède's compositions and concepts.
The music merges contemporary structures, avant-garde rhythms and forms with spontaneous gestures, intuition and initiative.
We aim to take a holistic approach to music where material is brought forth as a laboratory to explore our individualities within the collective.
For us, performed music is to be projected fiercely and with unyielding commitment, hence the notion of ‘ritual’ in which FEAR O' SHE wish to throw themselves along with their audience; delving further into the devotional intensity of repetitive motions, discovering and exploring and ways of interlacing composing with improvising. Although a substantial amount of time is spent scripting scores and creating parameters of execution and interplay, the collective will always be the prism through which this artistic vision unfolds.
Here is a video of the band playing live:
Good to know
Highlights
- 2 hours 30 minutes
- In person
Refund Policy
Location
Vestdijk 25
25 Vestdijk
5611 CA Eindhoven
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