Name: IFFRxNCExTEMPO – Cuts in Motion
Start: 2026-01-31T16:30:00+01:00
End: 2026-01-31T18:30:00+01:00
Location: De Doelen

IFFRxNCExTEMPO – Cuts in Motion

De Nederlandse vereniging van Cinema-Editors (NCE) is een vereniging waar editors uit binnen- en buitenland elkaar ontmoeten en inspireren. De NCE richt zich op de ambachtelijke en inhoudelijke aspecten van filmmontage en zet zich in voor professionalisering en verdieping, onder andere door het organiseren van lezingen en seminars over het vak en editorsbijeenkomsten op filmfestivals.

Nederlandse vereniging van Cinema-Editors

The IFFR teams up with the NCE and TEMPO, to present a special panel hosting celebrated editors from across the world.

De Doelen

On Saturday, January 31, the International Film Festival Rotterdam teams up with the editors organization NCE (The Netherlands) and TEMPO, the Federation of Film Editors Associations, to present a special panel hosting celebrated editors from across the world, who will share insights in their art and craft craft. In a fast changing world, film editing is very much in motion. How do editors from around the world deal with the increasing responsibilities of their editorial teams, created by the fast growing amount of possibilities available to them on their creative journey? The panel will feature Dávid Jancsó, ACE, HSE (Hungary), the Academy Award-nominated editor of THE BRUTALIST, with whom we’ll discuss working on high-end international productions as a European, and on using AI in editing, as well as Katharina Wartena (The Netherlands), editor of WHITETAIL, and Sophie Fourdrinoy (France), who cut IFFR’s closing film BAZAAR. IFFR Pro badge holders can attend this event on a first come, first served basis. PROGRAMME:16h15 - 16h30 Doors open16h30 - 18h30 International Film Editors Panel18h30 - 20h00 Mixer at De Doelen, Studio 3 PANEL LOCATION:De Doelen, Van Cappellen zaalKruisplein 403012CC Rotterdam MIXER LOCATION:De Doelen, Studio 3Schouwburgplein 563012CL Rotterdam About the panelists: Dávid Jancsó, ACE, HSE (Hungary), editor of THE BRUTALIST(Brady Corbet, 2024), MONKEY MAN (Dev Patel, 2024) and PIECES OF A WOMAN (Kornél Mundruczó, 2020), started out as a film editor in Hungary, building his career through collaborations with both Hungarian and international filmmakers. His work on Pieces of a Woman and Monkey Man solidified his status as a sought-after editor in both independent and mainstream cinema. Jancsó has developed a reputation for his meticulous editing style and innovative approach, which includes the use of modern tools like AI software (such as Respeecher) to enhance dialogue and sound in his projects, as seen in The Brutalist. Katharina Wartena (The Netherlands) is a Paris-based European editor, best known for her longstanding relationship with director Nanouk Leopold on acclaimed films such as GUERNSEY, BROWNIAN MOVEMENT, and COBAIN. She was awarded the Golden Calf for Best Editing in 2012 for her work on Leopold’s IT’S ALL SO QUIET. Other notable credits include Jakrawal Nilthamron’s ANATOMY OF TIME, Omar Razzak Martinez’ KILLING CRABS and the documentary ROBBY MULLER, LIVING THE LIGHT. Wartena also directed the 2016 documentary KEEPING A DISTANCE, about legendary French editor Yann Dedet. WHITETAIL, Wartena's latest collaboration with Leopold, will have its world premiere at IFFR 2026. Sophie Fourdrinoy (France), editor of OVERDRIVE (Antonio Negret, 2017), LOST BULLET (Guillaume Pierret, 2020) and THE ROOM (Christian Volckman, 2019), is a French film editor with a diverse portfolio spanning action, thriller, and drama genres. Her work on Lost Bullet and Overdrive showcases her ability to craft dynamic, fast-paced narratives, while her contributions to television series and shorts further demonstrate her versatility in both film and TV editing. Sophie’s film BAZAAR is this year’s closing film.

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IFFRxNCExTEMPO – Cuts in Motion

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IFFRxNCExTEMPO – Cuts in Motion

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