Name: Digital Shadows Performance Evening
Start: 2023-02-24T19:30:00+01:00
End: 2023-02-24T21:30:00+01:00
Location: OBA Oosterdok

Digital Shadows Performance Evening

Waag Futurelab

Together with artists, we will look for both imaginative and practical solutions to create more technological autonomy.

OBA Oosterdok

​How do we relate to the material and physical aspects of the digital world that are hidden in shadows, such as servers, cable and e-waste? How can we empower ourselves by reappropriating them, (re)making them, and owning them? The physical side often remains largely invisible, for example because e-waste dump sites are moved to low wage countries. This evening will shed a light on these practices. Together with artists, we will imagine, speculate, rehearse, and put into practice a different kind of ownership and technological autonomy regarding the materiality in the digital world.Programme<ul><li>19:30 - 19:35 hrs. welcome by Maro Pebo (co-curator)</li><li>19:35 - 20:00 hrs. lecture-performance by Dani Ploeger</li><li>20:00 - 20:15 hrs. Q&amp;A with Dani Ploeger</li><li>20:15 - 20:25 hrs. presentation by Lukas Engelhardt on self-hosting </li><li>20:25 - 20:40 hrs. short reflection by dr. Evelyn Wan</li><li>20:40 - 21:00 hrs. open discussion, moderated by Maro Pebo</li><li>19:30 - 21:30 hrs. drinks</li></ul>Artist Dani Ploeger will give a lecture-performance around his short sci fi movie The Cults, that is part of the Digital Shadows exhibition. The film is screened on a portable 16mm projector, and Dani will perform a new imagination of technology by adding background footage, artefacts and contextual stories to the film. The Cults was shot at the Dandora Dump Site - the largest landfill in Kenya - and developed as part of a long-term collaboration with Nairobi-based artists Greenman Muleh Mbillo and Joan Otieno.Featuring a collection of repurposed discarded electronic devices created in joint workshops with artists, engineers and recyclers, The Cults reframes the ethnographic text “The Cult of Mumbo in South Kavirondo,” written by a British colonial administrator in the 1930s. In contrast to the dystopian garbage dump landscape of endless waste and European-style recycling, the film sketches a utopian narrative in which discarded equipment is appropriated and reused based on local myths, stories, and memories.<h3>Technological autonomy</h3>The performance-lecture is followed by a short presentation from Artist Lukas Engelhardt on technological autonomy. Can building your own server be an act of resistance against the current system? After that, Dr. Evelyn Wan (Assistant Professor Media and Culture Studies, Utrecht University) will briefly share her reflections on the exhibition and the pressing issues that it tries to address, such as performativity of technologies in dealing with the colonial legacy of technologies and AI biases. The evening ends with an open discussion with the speakers and public.During and after the programme, you are welcome to have drinks at the bar in the exhibition space. You’re also free to take a look at the exhibition before and after the programme.<h3>About the speakers</h3>Dani Ploeger explores situations of conflict and crisis on the fringes of the world of high-tech consumerism. His objects, videos and software engage with the spectacles of waste, sex and violence and question the sanitised, utopian marketing surrounding innovation and its implications for local and global power dynamics. Most of his work is informed by field researchon the use of everyday technologies, under circumstances that were not envisaged by their developers and producers.Lukas Engelhardt navigates the entangled fields of the digital and bureaucratic space as he and his collaborators carve out and build semi-autonomous zones. He is interested in the tactics, terms and conditions necessary to negotiate and maintain these spaces—both online and offline. He builds, breaks and fixes servers for himself and for others and is a member of the Amsterdam-based squatting collectives Hotel Mokum and Mokum Kraakt. In 2022 he finished his MFA at the Design Department at the Sandberg Institute in Amsterdam.Dr. Evelyn Wan is Assistant Professor in Media, Arts, and Society at the Department of Media and Culture Studies at Utrecht University. She also conducted postdoctoral research at the Tilburg Institute for Law, Technology, and Society at Tilburg University. She graduated cum laude from her PhD programme with her dissertation, “Clocked!: Time and Biopower in the Age of Algorithms”, and was awarded a national dissertation prize by the Praemium Erasmianum Foundation in the Netherlands in 2019. Her work on the temporalities and politics of digital culture and algorithmic governance is interdisciplinary in nature, and straddles media and performance studies, gender and postcolonial theory, and legal and policy research.<h3>D﻿igital Shadows</h3>The exhibition Digital Shadows is carried out by Waag Futurelab and co-funded and supported by the Openbare Bibliotheek Amsterdam. It is presented in the framework of Artsformation, a European research project exploring the intersection between arts, society and technology. Artsformation investigates the potential of the Arts to intervene in critical social issues, with a view to remedying a range of abusive and exploitative aspects of digital technologies, such as labour politics, privacy and education.

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Digital Shadows Performance Evening

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