Thursday Night Live! The Vertical Atlas: Futures.gcc

Nieuwe Instituut is het nationale museum voor architectuur, design en digitale cultuur. Nieuwe Instituut houdt zich bezig met de grote ontwikkelingen in de maatschappij, zoals de krapte op de woningmarkt, de energietransitie, de opkomst van kunstmatige intelligentie, mobiliteit of het gebruik van de publieke ruimte. Ontwerpers, waaronder architecten en digitale makers, kunnen aan die ontwikkelingen een belangrijke bijdrage leveren. Nieuwe Instituut toont het werk van ontwerpers, brengt mensen met elkaar in contact, verzamelt, ontwikkelt en deelt kennis.

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Vertical Atlas is a research project in five chapters, aimed at the creation of a new atlas to navigate the complex techno-geographies of the world today. The fourth edition: Futures.gcc, focusses on the Arab states of the Persian Gulf. These position themselves as competing digital, corporate service platforms and each brand themselves with their own futuristic architecture, megacities, investment opportunities and visions of artificial futures.
Over the past few years, the Gulf has given rise to a specific brand of futurism. Cities like Dubai, Abu Dhabi and Doha are not only racing to out-modernize one another but also to create their own specific version of the shape of things to come. The Gulf city states brand themselves with their own futuristic architecture, aesthetics, investment opportunities and special economic zones, and are increasingly morphing into competing digital, corporate service platforms for city-users from all over the planet. 
Masdar City in Abu Dhabi has never been a dwelling site for the present, but was developed to be the hotbed of post-oil, sustainable futures. Having failed to accomplish this vision, it is now being rebranded by its parent company Mubadala for a different sustainable energy future by developing and supporting research projects around the world.
NEOM, a new, high concept paradisiacal city-state due to be built from scratch on the south coast of the Saudi peninsula, is the next step in this unique logic of city development. It is envisioned as a start-up the size of a country. In addition to future energy research it will focus on genetic research and the design of artificial ecologies, and will again house a population of global expat city-users.
In the meanwhile, the city-users of the present as well as the local inhabitants dwell indoors in their digitally rendered interiors to escape the intense heat, and engage in a version of public life almost exclusively in cyberspace, where distinctions in rights and access between these groups -as well as genders- are maintained with advanced biometrics and other technologies. 
To promote their regional political interests, the city states are increasingly operating as weaponized cloud platforms. Human users and social media bots are engaged in (automated) technological and political clashes, as proxies of regional powers projecting different mutually exclusive versions of the future which are, for the foreseeable financial future, all dependent on the exploitation of oil fields. 
Could oil money actually generate post-oil futures? Is any of the projected futures actually intended to ever become a lived-in present? Or should this dynamics better be seen as a competition between different petrol-aesthetic brands also engaging in online battlefields to fight each other for control over their narratives?
<H2>Marc Owen Jones </H2>
<A HREF="https://marcowenjones.wordpress.com/about/" TARGET="_blank" DATA-MSYS-CLICKTRACK="0" REL="nofollow noopener noreferrer">Marc Owen Jones</A> is Assistant Professor in Middle East Studies and Digital Humanities at Hamid bin Khalifa University where his research focuses on issues of social justice, technology and the Gulf. Marc has written about issues of political repression, and the use of digital technology as a form of political control. He is the co-editor of Gulfization of the Arab World (2018) and Bahrain’s Uprising: Resistance and Repression in the Gulf (2015). In addition to his academic work, he contributes to the Washington Post, New Statesman, CNN, the Independent, PEN International, and appears frequently on the BBC, Channel 4 News, and Al Jazeera.
<H2>Amal Khalaf </H2>
<A HREF="https://www.internetagemedia.com/weekend17/amal-khalaf" TARGET="_blank" DATA-MSYS-CLICKTRACK="0" REL="nofollow noopener noreferrer">Amal Khalaf</A> is a curator and artist and currently Director of Programmes at Cubitt Gallery, London and Projects Curator at the Serpentine Galleries, London.  Here and in other contexts she has commissioned and developed residencies, exhibitions, workshops and collaborative research projects that address the role of art operating within pedagogy and social urgencies.  She is a founding member of artist collective GCC, was the Commissioning Editor of Projects for Ibraaz,  as well as a trustee for not/no.w.here and on the artistic committee for Arts Catalyst.  In 2016 she co-directed the 10th edition of the Global Art Forum, Art Dubai. Amal's work has been presented at Goldsmiths College, London; MoMA PS1, NY; New Museum, NY; Whitney Museum of American Art, NY; Mathaf: Arab Museum of Modern Art, Doha; Musee D'Art Moderne, Paris; The Sharjah Art Foundation, Sharjah; Serralves, Porto;  amongst others in educational and cultural contexts.
Partner
Vertical Atlas: Futures.gcc is developed and produced by Hivos Digital Earth and Het Nieuwe Instituut. This project is initiated by Benjamin Bratton, Leonardo Dellanoce, Arthur Steiner and Klaas Kuitenbrouwer, and is developed and produced by Het Nieuwe Instituut, Hivos Digital Earth and Stedelijk Museum Amsterdam.
Thursday Bite
Before the Thursday Night you can grab a bite to eat with the speakers and staff of Het Nieuwe Instituut. At 18:00 Het Nieuwe Café will a light vegetarian meal. Dinner vouchers are available for € 7.70 up to a day before the particular Thursday Night event via the Tickets link.
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* Artwork by Kévin Bray.

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Thursday Night Live! The Vertical Atlas: Futures.gcc

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