Foto: Charlemagne Palestine, spread from his Book of Continuity, 1975. Courtesy of the artist. Photography by Anjes Gesink

Tuning – Detuning / Noting – Denoting

Thursday 17 March 2016, 7 pm
Location: Witte de With Center for Contemporary Art

Can a tune be translated into an image? Can the “detuning” of music generate new ways of thinking about the relation between sound and scripture? The notation of sound has a long and varied history, from Gregorian chants conducted following signs written in the air to the standard notation of western music we know today, and the possibilities offered by new computer technologies.

This evening moves back and forth between sound and scripture, the program consists of experimental performances and short lectures, with a special focus on Charlemagne Palestine’s visual renderings of sound, which are included in the exhibition GesammttkkunnsttMeshuggahhLaandtttt. Participants announced soon.

Organized together with DE PLAYER as part of their ongoing Pushing The Score program.

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Tuning – Detuning / Noting – Denoting

Donderdag 17 maart, 19:00 uur
Locatie: Witte de With Center for Contemporary Art

Dit programma draait om de dynamiek tussen geluid en geschriften en bestaat uit experimentele performances en korte lezingen, met bijzondere aandacht voor de visuele muzieknotaties van Charlemagne Palestine.

In samenwerking met DE PLAYER als onderdeel van hun Pushing The Score programma.

Tuning – Detuning / Noting – Denoting

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