Air for Tango is an initiative that consists of several events in different cities of the Netherlands. The mission of the project is to take a step towards the reactivation of the Tango scene by bringing Tango music and dance back to the community. All events include a live concert, a Tango dance show and a Milonga.

About Pannonica Quartet: The history of tango keeps moving on. Pannonica Quartet brings back the essence from the Golden Age of Tango through its four saxophones. Looking for the key elements that makes a dancer push the floor and the sounds that evocate emotion in the listener, Pannonica Quartet has dig into the arrangements of traditional orchestras and developed a unique interpretative style. Pannonica Quartet, awarded with the Doble Ocho International Tango Competition price, has performed in different cities of the Netherlands, Spain, Belgium, France, and worked with international renown artists such as Gustavo Beytelmann and Arno Bornkamp. Their repertory includes arrangements from the traditional tango orchestras such as Tanturi, DiSarli, D’Arienzo, Canaro, Troilo and Pugliese, and their own personal interpretations of Piazzolla.

17:00 MILONGA

18:00 CONCERT PANNONICA QUARTET + PERFORMANCE Geraldine Rojas & Ezequiel Paludi

18:45 MILONGA with DJ

20:00 Tandas PANNONICA QUARTET and continue with DJ

**Due to COVID-19 regulations, dancing is only permitted between one same dancing couple, therefore during the milonga there won't be changing of partners. Everyone must register its dancing partner when purchasing the tickets.**

About Ezequiel and Geraldina:

Born and raised in Buenos Aires, both of them found an early entrance to the stages in the world. With more than 20 years on the road, Geraldina and Ezequiel are a trend in Tango Argentino creating a better concept for a new present. They share stage or were directed by : Gerardo Sofovich, Luis Bravo, Robert Duval, Gustavo Santaolalla, Bersuit Bergavarat, Luis Salinas, Roberto Goyeneche, Pepe Colangelo, Roberto Bolle amongst others.

This project is made possible with the support of the Prince Bernard Culture Fonds and the Fonds Podiumkunstens